Episode 6 Commentary – Handling the Episode Gap

(or: Why I love DC’s Wednesday Comics)

A big thing I want to do (and am struggling with) with Petra’s Call is to build each episode to stand alone.

The ultimate goal is that each episode will present a piece of the overall story that can stand on it’s own. If somebody has never read Petra’s Call before, they should be able to drop into any episode and be able to figure out what’s going on – and ideally, want to read more (you know – if dinosaurs and robots are their kind of thing).

This is the goal – and it’s a hard nut to crack. Take traditional comics – 22 pages long, about 6 panels/page – that’s an average of 132 panels in one issue of a comic. 132 panels to tell your story.

Petra’s Call has about 12 panels per episode, sometimes more, sometimes less, but 12 is:
a) An amount of work I can finish in one week.
b) Enough space to build a complete scene.
c) Not even close to 132 panels traditionally used to tell a comic story.

For me to figure out how to get these episodes to stand-alone – I had to look at the episode gap – the events that happen between each episode. In the first 5 episodes – Petra’s Call is very ‘moment-to-moment’. You are with Petra and Kodiak every step of the way. When you finish an episode, the next episode picks up right where we left off.

This changes with Episode 6.

There is a big gap between Petra having the Calling on the back of the T-Rex and Kodiak holding Petra on the river bank. What happened to the T-Rex? Why is Petra lying on the ground?

These are things that don’t directly impact the story – and as such, they don’t need to be shown. I can put them in the Episode Gap – the space where I let the readers fill in the spaces (for the record, I know what happened, but I’ll let you use your imagination).

Finding and deciding what goes into the episode gap is something that I’ve struggled with since I started working on Petra’s Call. It’s hard to find reference for dealing with episode gaps in short form. There have been a variety of different comic stories told in shorter formats, but they are hard to find. I figured I would wing it and find the sweet sport for how to build a scene out of 12 panels.

Then, almost as if DC comics was reading my notes on episodes, they release Wednesday Comics.

Wednesday Comics

For those who don’t know, Wednesday Comics is a new project from DC comics which collect 12 one-page comics in a newspaper format. Each of the stories features a top notch creative team and in most cases, each one-page story can stand on its own.

For a guy struggling with the episode gap, this was like a gift from the gods. I could see how legendary creators put together a stand-alone story in 6-15 panels, making Wednesday comics the closest thing to what I want to accomplish with Petra’s Call (the sole exception being Ben Caldwell’s Wonder Woman comic in Wednesday comics comics in at 30+ panels).

Going through Wednesday Comics, especially the ‘man’ comics (Batman, Superman, Hawkman, Kamandi) has really helped me decide what I put on the page and what I leave to the reader’s imagination. Which in turn has helped me understand how I can reach the ultimate goal of each episode being able to stand on its own.

Hip Packs and Hipsters – The Generation Gap at Worldcon

I am currently attending my first Worldcon in Montreal.

For those unfamiliar – Worldcon is the annual gathering of fans and professionals in Sci-fi and fantasy literature. These are the people who write, publish and read SF and Fantasy novels and short stories.

When con-goers first started appearing on the streets a few days ago – I saw what I expected to see. People in their 40’s and 50’s – men with walking sticks, long beards and hair that can only be described as ‘frazzled’. They were joined by women rocking pants-to-high, hip packs and long straight hair (renfair braid optional).

These people are the dedicated core of the SF and Fantasy audience. They are the people you see, all the time, in your book store and used book store. These are the people whose backs the current SF/Fantasy publishing industry was built off of.

These are the people who are worried about the future of their passions. With the print publishing industry shrinking daily – the niche and fringe work of midlist SF and Fantasy authors will soon be impossible to find unless the authors publish it themselves – and many quickly poo-poo the thought.

It doesn’t take Perception + 10 (4th Ed rules) to see that these people are worried. Very worried.

What I didn’t expect was the gap between the Hip-Packs and the the next generation of fans.

There are a surprising number of people here in their 20’s. And while most of them will score a 10/10 on the geekometer – they are also very hip. Hip to the tools and ever-changing available media platforms.

They have an energy, a lack of fear and a solid grasp on the media before them. A grasp that can only be felt by someone who can’t remember a world without e-mail.

They ask questions that make geek-prince Cory Doctorow say ‘Hrmm’ with a knowing smile.

They are meeting people in the halls who they have only met online.

They are working on bold projects and are not waiting to be discovered – they are creating works that demand attention.

The panels at Worldcon are almost exclusively manned by print publishing crowd – the old watch. Some panelists, visionaries like Neil Gaiman and Doctorow, are presenting options for the future, but for the most part, the print publishers come bearing warnings of doom and gloom.

I wonder if Worldcon would be better served by turning the tables around and having the young, self-published (or online only published) brash hipsters share their thoughts?

They are the ones who aren’t waiting for the SF/Fantasy publishing industry to recognize them, they are too busy re-inventing it.

Episode 5 Commentary – Art Style Experiments

Episode 5 looks different from the rest of the episodes – a lot different.

When I first started working on Petra’s Call, I fell into a trap that a lot of creators fall into – I kept rewriting and redrawing Episode 1.

I would finish it, throw everything out and do it again because I had spotted a tiny flaw that apparently required a complete re-write. After spending two months working on Petra’s Call, I had 5 versions of Episode 1 at different levels of completion, but I hadn’t even thought about starting Episode 2. And for a comic that was supposed to put out one episode a week, that was a problem.

My art, writing, Flash Skillz and understanding of the medium were always improving, so I always knew I could do better, so I kept going back and starting from scratch – because I knew I could do better. My wheels were spinning – I was doing a ton of work – on one episode.

I had to start moving forward.
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